There are moments of Baths’ “Maximalist” that remind me of The Depreciation Guild, The Avalanches, and Mylo. It also reminds me a lot of the remixes Pogo has done, although most of the other songs on Baths’ 2010 album Cerulean
From AllMusic:
[Will Wiesenfeld] began recording his own music in his early teens, but found his true inspiration after discovering Björk’s music. Wiesenfeld taught himself guitar, contra bass, and viola and developed a quirky, layered production style, mixing sounds like clicking pens and running water with electronics and live instruments.
On a side note, I propose this new theory in music: When traced, every contemporary artist’s musical influence must, at one point, pass through Björk.
